The (possibly, maybe, almost) final appeal

Hello all readers, 

my fundraising venture for getting me to the annual Fantastic Fest in Austin, Texas is nearing it's end. There's just over three weeks to go before it closes off (and, coincidentally, three weeks until the NZ International Film Festival). The time between now and when I kicked it all off has gone incredibly fast. I have already received a number of very generous donations from friend and family alike and I just wanted to give one final shout-out (in a good way) to you guys reading this blog. This blog o' mine is the reason I'm headed to Fantastic Fest. Yes, the Fest is an event I've been wanting to get myself to for years now but it was really only after I was writing this blog that I started thinking about it seriously. To re-iterate: this will not be a holiday for me. I will be writing about everything I experience at Fantastic Fest, right here at rockets & robots are GO! Sure, it'll be an absolute blast and I intend fully on having the best damned experience I can, but I'll be sharing those experiences with you guys as much as my blogging skills allow.

But back to the raising of funds. Frankly, I'm annoyed at myself for not promoting it more. I could point to a number of things that deterred me from it but the singly biggest obstacle has been myself. I'm not the type of person to ask for help like this; I'd much rather be able to do it under my own steam. But in this case, I can't. And the way I have been looking at the entire venture is this: I'm your intrepid reporter. You, the reader, is sending me off on assignement to a film festival. And you won't be reading crappy little newspaper snippets buried under the movie listings in the two-page spread that is the entirety of the "arts" section. No. You, my readers, will be reading blog posts chock full of details (and, if you have donated, possibly directing me to films).

So, for one (possibly, maybe, almost) final time I ask you to click on my IndieGoGo campaign button to the right and spread the word. If you can, a donation is appreciated. But, as always, thanks for stopping by and reading.

Cheers.

Yes. This is AWESOME.

48 HOURS: DIRTY LAUNDRY

As you might recall, back in May my friends and I took part in the V48 Hours Filmmaking Competition. Well, I just thought I'd share with you all the film we managed to make in that time. So, without further ado here is ICW's Dirty Laundry: 

We had a grand time making it and I hope you enjoy it.

NZIFF: WELLINGTON LINE UP ANNOUNCED!

Last night I attended the Programme Launch for the Wellington leg of the 2011 NZ International Film Festival and there are more than a few films I'm excited about seeing this year. There are over 400 sessions over two weeks and across 6 cinemas. This year marks the 40th anniversary of the Wellington Film Festival and you can read an account of the first few years here.

As with last year, however, I am disappointed that a) there is no Live Cinema film closing out the Festival and b) Auckland DO have Live Cinema closing out the Festival and it's Nosferatu! Live Cinema has been a highlight of each Festival year for me - it is a silent classic with live accompaniment and previous films have included Buster Keaton's Steamboat Jr. and the horror classic (with live theremin!) The Cat and the Canary.

So, what have we got to look forward to? A veritable boat-load of films have been shipped from the Cannes Film Festival this year and there seems to be a stronger emphasis (or at least a few more) action/thriller films from overseas. But let's break it down shall we?

There are the Big Films like:

• Terence Malick's Palme d'Or winning The Tree of Life
• The now banned from Cannes Lars von Trier's Melancholia
• Morgan Spurlock's newest doco-experiment POM Wonderful Presents: The Greatest Movie Ever Sold
• Werner Herzog's 3D cave painting exploration, Cave of Forgotten Dreams 

But it's not all about the new hotness. There is also a selection of bona fide cinematic classics:

• Martin Scorsese's incendiary Taxi Driver in a brand new 35mm print
• a restored digital print of Fellini's La Dolce Vita
• A "lost" Elia Kazan classic, Wild River
• Metropolis (the second time I'll be seeing this at a Film Fest and not the last time this year either - the NZ Symphony Orchestra will be playing the score with the film later this year)

Having the chance to see classic films like these on a cinema screen is one of the highlights of the Film Festival for me, every year.

But one of my other very favourite things about the NZIFF is getting to see work from new directors, new voices. This year I've already picked out:

• Submarine
• Troll Hunter
• Snowtown
• Hobo With a Shotgun
• another low budget, intelligent sci-fi? Sign me up for Another Earth
• Tyrannosaur - Paddy Considine's directorial debut!

Then there are those films I've been reading about and anticipating for a year... or sometimes more!

• I Saw the Devil
• 13 Assassins
• Space Battleship Yamato
• The Innkeepers (with director Ti West in attendance)
• The Rob Brydon and Steve Coogan food and impersonations
• Martha Marcy May Marlene

And the NZIFF is never one to skimp on the documentaries. This year (among others) I have on my list:

• Page One: Inside the New York Times
• Errol Morris' Tabloid
• Hot Coffee - a film about the rise of the litigious culture in America
• Senna - a car-racing doco that has been making big impressions overseas
• Sons of Perdition
• Project Nim - from the director of Man on a Wire.

And this barely scratches the surface of what I'm looking to experience at Film Fest this year. There are always those few films that I have absolutely no idea or preconceptions about before going in, and it's this chance to discover a new cinematic gem that really invigorates me and makes me appreciate all over again the hard work the NZIFF team do each year. As for me? Not only will I be trying to get to as many films as possible (the current list is sitting around 60), I'll also be a volunteer usher, manning the Film Society information desk, working the day job and writing about it all. 

Yeah. I can't wait.